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more interviews coming after Pitti in September 2010...

we look forward to Pitti Immagine Fragranze where we will do more short videos with the influentials and creatives of the perfumery world....

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Vero Kern, on what makes people wear perfumes

Vero Kern and me discussed during Esxence 2010: On the question "what makes people wear perfumes?, what do they expect from a perfume?" we shared our thoughts and the video is sort of a summary of Vero's thoughts. On Zeitgeist and perfumes in a temporal and cultural context, as seen by the perfumer Vero Kern.

Enjoy!

Video with the perfumer Vero Kern, recorded  March 2010, and uploaded by Andy Tauer, April 12 2010.

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Mona di Orio, on what makes people wear perfume

What makes people wear perfumes? And on emotional shocks by perfume, as discussed by Edmond Roudnitska.

I am glad that Mona di Orio shared her thoughts: "...they want to be surprised... they want to feel an emotion, a deep emotion, and they want to travel....they want a perfume to make them dream..."

It may sound like a silly question, but once you start thinking about it, it becomes interesting....

Enjoy!

Video with Mona di Orio, recorded during Esxence 2010, March 28. Uploaded by Andy Tauer, April 12 2010.

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Marika Vecchiattini on art in perfumery

Today, we have the pleasure to publish a video interview with Marika, who runs the blog "BergamottoeBenzoine". We took the video during Esxence 2010 and the sound quality is a bit rough. I thank you for your understanding.

Please do not miss the blog entry below wherein we publish Marika's thoughts on niche.

Enjoy!

Video with Marika Vecchiattini, recorded at Esxence 2010, March 28. Uploaded by Andy Tauer, April 07 2010.

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some thoughts on niche in perfumery: Marika Vecciattini

Hi to all, the team behind Perfumism! Very interesting project, I'll check it regularly because it explores issues I'm passionately interested in.


I was in Milan few days ago, for Esxence Exhibition. And I was impressed by how many brands define themselves "niche" only because it's trendy (and trendy means lucrative), with no manifesto or aesthetic vision behind them. I hate to say this, but I can understand them (not justify, onlyunderstand): the international financial crisis is obliging consumers to be more careful about how they spend their money, and cosmetic industry is performing badly since 3-4 years. In this scenario, niche perfumery is the only growing sector of cosmetics: until year 2009 it showed a 2-digit, steady grow in Italy and I can figure the same abroad. If I were an entrepreneur, it's in the niche sector that I'd invest my money. But of course, to be given the "niche" appellation  I'd need to position my products in a certain segment of the market, I'd need to be present at the right exhibitions and I'd have to write my press-aimed blablah in a certain way... Ok, few people will be unconvinced, but I can focus on consumers who will buy my perfumes just because they're niche...after all they're not different from brands' lovers who buy a perfume just because there's "X" label on it.

I think it's not that niche is degenerating: talented authors are still working in it;  is that other kind of business are getting  hold of the niche sector, and thus revolutionizing it and making difficult to understand the general rules of the game and the players. We even don't know how to define it anymore!
Dont' like the word "niche"? Try call them "parfum d'auteur" and swarms of new "auteurs" will appear;  call them "selective" and selective will be the new way to communicating fragrances. Since the landscape you described so well is very varied (perfumers working for industry, independent perfumers, Ellenas working for industry, Ellenas working for themselves, Ellenas working for niche brands etc), do we really need to  name it with a single word? I mean a new name will define this field just up to the point where it turns economically successful. When the industry -or simply clever businessmen who wish to establish a successful business- arrive, they will hold of that name, use it their way and change the contest.  
I think that even if you should name this kind of perfumery "Lousy perfumery" industry will find a way to make "Lousy" a charming definition -as long as it's financially successful-  in order to start introducing their own new products and start gaining money.
Of course, I'm not sure of anything, just do keep this interesting discussion open...
© Marika Vecciattini, Owner of the blog Bergamotto e Benzoino.

Editorial comment: Uploaded by Marika as comment on the perfumery section, March 31 2010. Converted to a blog entry, in agreement with Marika Vecciattini, by Andy Tauer, April 7 2010.

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James Heeley on Art in Perfumery

... and dusting flacons...

I love this one: It is very spontaneous, honest, and I did not cut anything out because this is reality when trying to do an interview: There is always something coming in from the side.

And I appreciate what James has to say to us. Enjoy!

And many thanks to James. Merci, James.

Video with James Heeley, recorded at Esxence 2010, March 28. Uploaded by Andy Tauer, April 05 2010.

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Karen Dubins on art in perfumery

I met Karen from Sniffapalooza (the link goes to the Sniffapalooza magazine) during the Esxence 2010, March 28, for a thorough discussion on art in perfumery. Karen was heading and giving structure to some panel discussions on a variety of perfume related aspects. I had the pleasure to attend to panels and I loved and fully support Karens view on the perfume lovers community and art in perfumey. Discussing with here was a pleasure and I love to share this video with you.

Here is a short summary, of what she has to say on "what is art in perfumery and how do you find it reflected in industry".

Enjoy!

And many thanks to Karen. I send you a fragrant hug, and I appreciate your support a lot!
(uploaded by Andy Tauer, March 30 2010)

 

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Grant Osborne from Basenotes on art in perfumery

I met Grant Osborne from Basenotes.net during the Esxence 2010, March 28, for a quick chat on art in perfumery.

Here is what he has to say on "what is art in perfumery and how do you find it reflected in industry". And a few thoughts on scentaforming Mars.

Enjoy!

And many thanks to Grant. I appreciate a lot!
(uploaded by Andy Tauer, March 30 2010)

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with a video cam and scentaforming Mars

Hopes are high that I will not forget my video cam for the Esxence. I would love to do a few short question interviews for perfumism. And publish them here. Actually, I will be asking simple question (s):

-> What is art in perfumery for you?

-> How do you see this reflected in industry?

-> If you could terraform Mars, what scents would you give to this planet?

Wish us luck there. Actually, scentaforming Mars might be a challenge. I think I would use orange flowers. ...

Author: Andy Tauer, March 24 2010

 

mars
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Time is running

Actually, I wanted to use the blog to talk on a weekly basis, more or less. The last post is a while ago. Hence, here is a quick update on what happened and what happens next.

The highlight of this week, Elena's article on niche and its evolution. I got a phone call on this one the other day. A must read if you think about perfumes and niche from time to time.

We expect a few statements from fellow perfumers and opinion makers in the field in the coming weeks: On art in perfumery. This IS staying very exciting. I personally have learnt already a lot and thus, we want to continue there. Furthermore, the newsletter gets into preparation phase soon.

And right in time for the Esxence in Milan, where I will meet some perfume colleagues and perfume lovers and opinion makers and folks who have an opinion: I got a flyer for perfumism done. To hand over to folks who care. It is on 40 gr/m2 paper and folded, it fits into your pocket.

Unfolded, it fits your wall. Flyers anyone?

 

Author: Andy Tauer

 

flyer
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it makes a difference

Yesterday, I was following a debate on niche on one of my favorite blogs and I got basically depressed right after the first comments. It felt a bit like being a preacher, trying to make folks believe and understand for years that there are different ways of constructing perfumes. That it makes a difference how you build a perfume, how you compose it and interact with the material. Is the perfumer allowed to follow a vision? This is not dependent on the size of the distribution  but it is about passion and fever and freedom and courage to innovate. On all levels.

 

I have discussed this issue with perfume friends, also from industry. In my opinion, it all boils down to missing courage and marketing and money making issues. Or like an insider mailed me the other day "So many perfumers are really demotivated because they are treated like battery chicken, churning out GLC twists all day long.."

 

Shorthand -if you want-there is no excuse for not finding "WOW perfumes" at Macy's.

 

And by the way: From time to time you do.

Author: Andy Tauer

COMMENTS (1)

four questions asked

to Rebecca Veuillet-Gallot.

I thought, it is important to get an idea who the folks behind perfumism are. Here's a clue....More on the board you find here, following this link.

Andy Tauer (question): What was your first reaction when you heard about perfumism?
Rebecca Veuillet-Gallot: "I was rather charmed because I wanted to write a blog myself but couldn't think of a clever and unusual way to do it, so you came out with this new idea and I thought it was a clever way to have a blog."

glass flacon in light


 
Andy : "so this came right in time. I had no idea. But I guess it just needed to happen. I wonder now: Please tell us what you think about the manifesto?"
Rebecca: "It's very clear. We want to consider good perfumes are pieces of art, we want to give perfume its lettre de noblesse back. We want to teach people what real perfumery is. That's what I call  "réenchanter le parfum".


Andy: "Olala, I love French, and I love the word réenchanter le parfum. "Die Wiederbezauberung des Parfums", the re-mystification of perfume... This is so lovely!
I hope we will do our part to "réenchanter le parfum" with perfumism in the coming months.  Where do you see perfumism as a website and a movement in a year from now?
"
Rebecca: "I hope we'll have lots of readers who will be able to understand the world of perfumery better and we can interact with them. I hope it doesn't become too intelectual so it stays open and clear. "
 
Andy: "To inspire others to dream their fragrant world and on a totally different note: If you could terraform Mars. How would you engineer it from a fragrant point of view?"
Rebecca:"Ok probably because of the color, red. I immediatly thought of the discontinued Feu d'Issey. The second thought was fire... "

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Folklore

We initiated a few discussions it seems. This is good, as this was part of my intentions.
You may follow the basenotes discussion on perfumism.
When folks discuss, things start to move. First in the head, maybe later in real life.

When I decided that I invest money to kick start a platform (money that I used to finance the IT guy building the site with the help of a designer team, and that I used to host and house the platform on a server) I was annoyed. But contrary to how some interpret the manifesto I was not annoyed because (citing from basenotes) “the major houses only make crap”.

No. They do not produce only crap.

 

glass bottle on white paper
COMMENTS (4)

I was troubled because I realized the longer the more that there is no distinction made between artisanal perfumery, low volume artistic perfumery and a mass market perfumery. Low volume perfumery for me means: small batches, little number of bottles produced (not hundred thousand), products crafted with high end, top notch materials, with care.

Don’t get me wrong here: There are truly NICE smelling perfumes out there, produced by the millions. And there is nothing wrong with that. There are not enough jasmine flowers blooming to accomodate an entire perfume lovers' forum with a fragrance whose heart is full of jasmine absolute.

For those of you who still dream the reverie of Chanel number x being affected by IFRA’s regulation on Jasmine (Link: Ifra recommends not to exceed about 1%  in the final product, category 6) and blooming fields of Jasmine in Grasse: Keep on dreaming. This is folklore.


Thus, it is not about nice smelling perfumes or not. It is about style and expression. Perfumes can be more than nice. They can tell stories. Of course, some may only want to smell something nice. There is nothing wrong with this. But then: Don’t expect more.


Perfumes can be innovation. They can make you dream. They can be a sculpture where you feel the artist’s soul. A perfume can be a statement where a creator tells you something about the way she sees the world. It can be a statement where the creator shows you a new way to see the fragrant world.

I got angry a while ago because I realized that some want to make us believe that their (mass market and top notch marketing) products are exactly this: dreams and artistry.


And I have realized that so many dance happily their folklore dance and clap their hands like in a Bavarian beer tent, not realizing that the tent is all plastic and the music is from a CD player and the band is just pretending to play. Thus, I wanted to make a statement. Stop it right here and there!


I was thinking and discussing with friends: How can I mutate my indignation into something positive. For the moment we are three who can write here on perfumism whatever we want. All three of us in the board have editor rights on perfumism. And you can write, too. You can do so on the shout box, or by commenting. We are looking into more ways to open up discussions further.
I hope that we can tell stories and build interest on true perfumery. Ultimately, perfumism might change into some sort of association.

We will see.

Going live

It is now more than a year that I work on this. Perfumism has become something like a secret passion for me and Elena and Rebecca. Hours, days, months have passed and now the site is finally live. We haven't told anyone so far. Thus, today it is live, online, visible to the world, *hello world*, yet we can still play for us without any observers.

I remember discussions on my other blog on perfumery about niche and art, thinking about other terms that fit better. Kick-started by exhibitions where niche was said to be a focal point, I am finally here, at the starting point, of something new and exciting, collaborative and driven by the quest to move.

I am finally here, and I can make a statement. I am not niche.

And now, we will start inviting others to join us. We are not many, but we are the few who will make a difference. That's what perfumism is about: Making a difference in the world of perfumes.

COMMENTS (10)

Blog

Weekly musings on PERFUMism and the place to share your thoughts. We are open for discussions and invite you to join in. Thank you for visiting.

 

Would you like to see your article published here? Let us know! We will be delighted to receive your thoughts and will decide in the board about publication on this site.  PERFUMism is open to share your visions and thoughts.

 

 

 

Flacon Glass

Netiquette

We welcome any contribution that fits with the world of PERFUMism.

You may also use the shout box for your everyday thoughts on perfumery, and how you feel about things happening here and in the world of perfumes.

A word on netiquette: Thank you for not multiposting your comments, not cross-posting, posting off-topics, sending discussions off this blog, or hijacking discussions. We appreciate controversial discussions, but will stricktly enforce netiquette rules by deleting inappropriate comments.